All posts by jamestheo

“This debate doesn’t happen in schools”

Ah, the good old debate around traditional and progressive philosophies of education. An important debate for some and one that such people tell us has given them enlightenment and understanding about what they do in the classroom.

Except we all know it isn’t important, no matter what they tell us, don’t we? And you know why we know it isn’t important? We know it’s not important because it isn’t a debate that happens in schools. It all plays out on the internet. And of course, things said on the internet aren’t really real. Those aren’t real people telling us this is important to them. They are just floating avatars spewing out the same rubbish day after day. Probably Russian bots or something. We should ignore them. If the trad/prog debate is something we don’t talk about in schools, it’s obviously not important at all.

Okay, that may be an extreme characterisation, but it is the crux of a particular argument: the trad/prog debate isn’t something that happens in schools so it is not important. The fact it isn’t spoken about in schools is largely true. Walk around any school and you’ll rarely see people having this debate. (The lack of the debate will be even more starkly obvious if you don’t actually work in a school: if you’re a consultant and you visit lots of schools, you will be able to report with confidence that in absolutely none of the schools you visit people have had this debate.*)

I think we’re all agreed then. If we aren’t discussing it in schools, it’s irrelevant. It’s unimportant. And if we aren’t discussing it in schools there’s really no validity in discussing it anywhere.

So let’s all agree that the trad/prog debate is an irrelevancy and let’s disregard it.

But if we disregard on this basis, then in the interests of fairness we should all agree that anything we don’t really talk about in schools is also irrelevant and should be disregarded.

So out goes the trad/prog debate. See ya!

But we’ll also need to say goodbye to the mental health of teachers. That can go too. According to this TES article, “The one place you won’t hear much talk of teacher mental health is in schools.” Well, as we all know, not talking about it in schools makes it irrelevant and unimportant, of course. Bye bye teacher mental health!

Another unimportant issue we should disregard is violence against teachers. Again, in the TES: “I think this issue of violence against teachers is actually a taboo in our occupation. We don’t talk about it.” Well if we don’t talk about it in schools, it means it’s not important. Duh.

And our feelings too. We don’t talk about the emotional labour of teaching and the impact this can have, according to the Washington Post.  Who cares? If we don’t talk about it, it’s obviously of no import.

There’s a whole host of other things teachers and commentators tell us “we need to talk about” more in schools : the joy of learning, financial education, the dangers of pornography and sexting, healthy eating… all of these things are unimportant precisely because we don’t have enough conversations about them, right?

It’s a kind of cognitive dissonance that uses “we don’t talk about it in schools” as an argument to disregard some things and suggest they are utterly irrelevant, and yet sees the same “we don’t talk about it in schools” statement as a valid way to highlight that some things are unfairly undervalued.

Of course, I don’t think that any of the things above – mental health, violence, healthy eating, etc. – are unimportant. I think we should be talking about all of them. And I think the same about debates in education – no matter how unfamiliar the debate is to your daily experience, it is still a debate that people are having and to tell them it’s unimportant because it doesn’t happen in other arenas is ridiculous. The first reason/excuse people will give for any of the topics above not being talked about enough in schools is lack of time. Where do we find the time to discuss mental health of teachers, etc? We are so busy, that we just don’t find the time. Well, the same goes for the trad/prog debate. Where in a busy teacher’s day do they have the time to have deep discussions about philosophies of education? Somewhere between getting a cup of tea and going to the toilet before heading back to the classroom to set up their next lesson? Schools aren’t really the place for many topics that need unpicking at length. So what do teachers do if they want to discuss anything they don’t get to delve into in the school day? They use social media. And when they do, they get told: if you aren’t having this discussion in schools, then it’s an invalid discussion here too.

The whole this-debate-doesn’t-happen-in-schools response is an extension of the “you aren’t living in the real world” argument: teachers who debate and discuss the philosophies of education (a debate that has been going on for more than a century, by the way) on Twitter aren’t living in the real world of schools where, as we’ve established, nobody talks about this.

Jeffrey Israel, a lecturer in religion and political philosophy, argues that, amongst other things, the accusation that someone’s opinions aren’t from the real world is narcissistic. He defines narcissistic here as being “characterized by an inability to perceive the lives of others as anything other than examples of one’s own idiosyncratic preconceptions.” In this way, we might see those suggesting that the debate around education philosophies is insignificant (“because it doesn’t happen in real life”) as lacking the ability to attach value to anything that is beyond their own worldview. The debate may not be happening in schools, but it is happening on social media and in blogs and articles and thus it is real and it is significant to the people involved in it and to many reading about it. It might be seen as narcissistic to disregard it on the grounds that it isn’t happening “in real life”.

In fact, there really is no distinction to be made between beliefs held in different domains. Believe it or not, people discussing something on Twitter are real people. As Israel succinctly tells us:

“Everyone who is living is living in the real world.”

And whilst they aren’t having lengthy debates about philosophy in the real world of schools, they are having debates with real people in the shared world of social media.

There are plenty of examples of people who have developed or had their thinking shaped as a result of the debate online. Indeed, I wrote about my own experience last year.

 

Here’s a couple of tweets from real people telling us that the debate changed their minds:

 

Is the debate invalid because these people are choosing to discuss it on social media rather than the staffroom? Are they not living in the real world?

It matters not where the debate is happening. If it is happening, it is real. I am happy to listen to any arguments against the debate, but the argument that it isn’t valid because it doesn’t happen in schools is a very, very poor one that simply doesn’t stand up.

 

(*If you are a consultant and you think that visiting lots of schools and never experiencing something means it doesn’t exist, you are sadly mistaken. You are the least likely to actually experience it as your relationships with the people you come across every day, whilst I’m sure are useful and beneficial to the school and you, are largely of a fleeting nature. The context in which you would be a more able judge of whether something exists in a school is to work at that school. I should also add that you also aren’t privy to the conversations about consultants that undoubtedly happen after you’ve left. They do exist even though you don’t witness them. And they’re always entirely complimentary, of course.)

An art history of back to school

Ever since I published ‘An art history of school inspections’ a few years ago, studying the way that art has portrayed schools has been somewhat of a hobby of mine. In this post, I’ll take you through the ways that artists throughout time have interpreted that key moment in a teacher’s year: going back to school.

To begin with, one of my favourites is this classic from the Dutch Golden Age by Jan Steen, which depicts teachers in the midst of the summer holidays.

‘Teachers on Summer Holiday‘ (c.1655-65) by Jan Steen

In Steen’s painting, entitled ‘Teachers on Summer Holiday’ (c.1655-65), you can see the teachers really throwing themselves into relaxing. The teachers featured in this painting were very keen to explain that the artist captured them at the moment they were “taking a short break between reading some books, eating healthily and working out at the gym”.

Another painting depicting the leisurely mood of teachers during the holidays is Lucian Freud’s ‘I Might Even Get Dressed At Some Point Today’ (1950-1), shown below. You can tell from the way that the light falls that the moment captured is around 4 o’clock in the afternoon.

‘I Might Even Get Dressed at Some Point Today’ (1950-1) by Lucian Freud

The pastel shades and relaxed mood of Freud’s painting is often contrasted, by critics, with the dark ominous colours of Isaac Israels’ ‘One Week In, The First “Back to School” Shop Window Display’ (1894).

‘One Week In, The First “Back to School” Shop Window Display’ (1894) by Isaac Israels

Israels’ somewhat sombre painting shows the portentous moment when the idyll is shattered and the thought of having to go back to work at some point comes crashing down on the teachers stood at the window, as they stare at the display.

Moving on to the painting below, we are introduced to one of the key themes of back-to-school art: school nightmares.

‘The Back to School Nightmares Begin’ (1886-7) by Théodore Roussel

This classic of the genre is Théodore Roussel’s ‘The Back to School Nightmares Begin’ (1886-7). Here, the painter portrays the dream of a teacher in the days just before the autumn term begins. The teacher dreams that she is in the staffroom looking through the staff handbook. He captures the dream in the moment just before she realises that she has forgotten to put any clothes on and will wake up in a state of sheer panic. This particular genre has been the source of many works by a range of artists, notably Bosch’s ‘I Dreamt My Voice Wasn’t Working and None of The Children Were Listening to Me’, and Vermeer’s ‘I Think I Just Said **** In Assembly’.

‘Sorting the Classroom and Putting Up Displays’ (1964) by Richard Hamilton

The above piece of artwork, by British pop artist Richard Hamilton, is entitled ‘Sorting the Classroom and Putting Up Displays’ (1964). A famous piece of contemporary art, it shows the teacher in her classroom in the days before the pupils start back at school. The teacher has spent hours making the classroom look nice and freshening up the wall displays, and here she takes a moment to look around her and absorb the room, disheartened by the knowledge that it will never look quite as nice as this again for the entire year.

As the day of return grows ever closer, such preparations truly begin in earnest, as we can see below.

‘The First Week’s Lunches’ (c.1620-5) Sir Nathaniel Bacon

Sir Nathaniel Bacon’s ‘The First Week’s Lunches’ shows a well-meaning teacher preparing her daily lunches for her return to work. She has optimistically bought lots of vegetables and fruit for various healthy meals, the sheer volume of which suggesting that her intentions are to continue in this vein. Yet the real genius of this painting is in the detail: note how the artist cleverly depicts a look of uncertainty on the teacher’s face, showing us that even she knows she’ll be eating chips from the school canteen by the second week.

There are many paintings that depict the reality of the first day back, but none are more well-loved than George Elgar Hicks’ ‘You Have to Go In, Dear, You’re the Headteacher’ (1863), below.

‘You Have to Go In, Dear, You’re the Headteacher’ 1863 by George Elgar Hicks

In the painting, the headteacher tries to pretend that it is still night-time by covering his eyes and making it dark. His wife is deploring him to pull himself together and get into work as she is sick of coming home from her tough, high-flying job in the city only to find that he’s been lounging around watching Netflix all day and hasn’t done any of the jobs around the house that he’d promised to do.

‘These Are the New Guys’ 1766 by Benjamin West

The first day back has finally arrived in Benjamin West’s ‘These Are the New Guys’ (1776), which depicts the moment when the school’s new staff members are introduced in the first staff meeting, and the entire faculty stare back at them. The new staff members hang their heads and blush as every current member of staff looks at them, some with a sense of envy at their youth, and some with a sense of pity at what these new guys have let themselves in for.

‘Memories of Empty Roads’ (1998-9) by Julian Opie

Contemporary British artist Julian Opie turns his attention to the daily commute. Opie highlights the misery of sitting in traffic every day by presenting it in relief: ‘Memories of Empty Roads’ (1998-9) cleverly shows us not the gloomy traffic but the clear open roads enjoyed by everyone during the previous six weeks, starkly reminding us all of happier, carefree times.

‘End of the First Week Back’ (1856) Henry Wallis

Perhaps the most famous image in the whole of the back-to-school genre is Henry Wallis’ ‘End of the First Week Back’ (1856). Here, the clothed teacher is bathed in early morning light, showing that he has fallen asleep in his clothes, such was his fatigue. The peaceful look on the teacher’s face is in contrast to the ripped-up paper on the floor, which is the result of various shredded worksheets that he has printed and then subsequently realised are riddled with spelling and content errors, due to his sheer tiredness. One should note that the exhausted teacher shown here is actually positively vibrant when compared to how he will look some eight weeks later.

I hope you have enjoyed seeing some of my favourite pieces of back to school art – I’m sure you’ll agree that the genre has inspired some great works throughout the centuries.

 

A Timeline of Literature (with GCSE texts)

The links below will take you to an easy to print version of a timeline of English Literature. Alongside other important moments in English Literature and the English language, it includes the dates of the monarchs of England and Great Britain, key literary and artistic movements, stages of the English language, as well as the dates of production/publication of MacbethStrange Case of Dr Jekyll and Mr Hyde, An Inspector Calls, and the poems from the ‘Power and Conflict’ cluster of the AQA Anthology. Obviously, you can edit these texts to fit with those that your pupils are studying.

The dates of the movements are up for debate, of course, as different commentators will put different dates on these periods. You can change them as you see fit.

You can also add any more key moments to the timeline. I kept it to these as I didn’t want it to get too ‘busy’.

This is for a display of landscape A4 sheets measuring 7 x 4 (28 sheets in total).

This resource takes ideas from displays shared with me over the years by colleagues, so I don’t claim originality.

I’ve included links to an uneditable PDF version, as well as an editable Powerpoint version. If you want to use the editable version, the fonts in use are Gill Sans for most of the text, and Mexcellent (regular) for the literary movements.

PPTX: Timeline of Literature

PDF: Timeline of Literature

If you notice any errors, aside from arguments over dates, please do let me know in the comments below. I’m looking at you, History teachers.

NB. As with any of the resources I share, I stipulate that I don’t give this freely to anyone who chooses to sell resources anywhere online. If you are such a person, I ask you kindly not to download this. Obviously, you can ignore this request as I have no way of monitoring this. But if you do, shame on you for ignoring my request. As for anyone else, thanks for keeping the sharing of resources completely free. You are wonderful people.

A Glossary of U.K. Education (Vol. 4)

We present Vol. 4 of our glossary. For previous volumes, please follow these links:

Vol. 1

Vol. 2

Vol. 3

biro

/ˈbʌɪrəʊ/

noun

apparently one of the most explosive materials on earth, with a level of volatility somewhere between uranium and hydrogen.

collaboration

/kəlabəˈreɪʃn/

noun

the positive action of working with other likeminded people in order to produce something or promote an idea; this is one of the most important things one can do in education and is widely encouraged, unless of course the thing that is being produced or idea that is being promoted is one with which you disagree, in which case it isn’t collaboration, it is a neoliberal conspiracy.

data

/ˈdeɪtə/

noun

a substance that is difficult to control and can wreak havoc unless it is captured cleanly; it increases its potency as it gets more and more out of control, bouncing back and forth throughout the environment; it is vibrant green in colour and goo-like in its consistency. (Wait… this is the definition for Flubber, isn’t it? Oh, what the hell, I’ll just leave it here. I’m sure nobody will notice – Ed.)

Didau, David

/ˈdvd dɪd… er… dʌɪd… um…ˈdʌɪə… oh say it however you want/

noun

former All England Hula Hoop Champion and prime antagonist of everything you know about education.

dog

/?/

?

iono, is it even a word?

Festival of Education

/ˈfɛstɪv(ə)l ɒv ɛdjʊˈkeɪʃ(ə)n/

noun

like Glastonbury, though with more toilets, less beer, but exactly the same number of Tinie Tempah main stage appearances.

further education

/ˈfəːðə ɛdjʊˈkeɪʃ(ə)n/

noun

an education that is at a greater distance from one’s current location than other educations under consideration.

glue sticks

/ɡluː stɪkz/

noun

the most valuable currency in schools; should you find yourself in possession of a reasonable number of functional glue sticks in the summer term, it is advisable to have these valued by an expert, insured, and locked away in a safety deposit box in the vault of a high security bank.

OECD

/oʊ iː siː d/

noun

the official Finland fan club.

PISA

/ˈpzə/

noun

the Eurovision Song Contest of education, the prize for which is the legal mandate that the winning country must be mentioned in every single education speech or panel for the next few years; could be made better with an irreverent commentary by Graham Norton.

Six Thinking Hats

/sɪks ˈθɪŋkɪŋ hatz/

noun

a system designed by U2 frontman Bono as a tool for discussion; each of the six coloured hats represents a particular way of thinking: blue = lewd thinking; white = try not to think about anything (it’s hard, isn’t it? give this hat to the member of your group you want to keep occupied); red = think like a socialist (make placards, etc.); black = harness your dark thoughts, give in to them, strike me down with all of your hatred and your journey towards the dark side will be complete; yellow = what would SpongeBob do?

sports day

/spɔːtz deɪ/

noun

either the hottest or the wettest day of the year.

Teacher, The

/ˈtiːtʃə, ðə/

noun

your magazine from the NUT; you know, the one that you don’t even take out of its plastic wrapping; yeh, that’s it, the one that sits on the side for a month before you decide to throw it out; you don’t even know how often it’s published, do you? Is it monthly or quarterly? Nobody knows. Nobody.

TEDx Education

/tɛdɛks ɛdjʊˈkeɪʃ(ə)n/

noun

conferences for new media types who hated school themselves but think that schools might be a way for them to monetise their ‘creativity’ whilst simultaneously avenging their own schooldays; talks from these ‘thinkateers’ are interspersed with the occasional actual teacher to give the conference some credibility.

textbook

/ˈtɛks(t)bʊk/

noun

a pejorative term for a pre-printed large collection of sequenced subject resources (cf. individual resources which, due to the fact they are unsequenced, uncollected and you have to spend time creating and printing them yourself, are far superior).

toilet break

/ˈtɔɪlɪt/

noun

a luxury for teachers.

A Glossary of U.K. Education (Vol. 3)

Following on from volumes one and two, here’s the latest edition of our education glossary.

Bennett, Tom

/bɛnɪt, tɒm/

noun

Scottish outlaw and folk hero; known colloquially as ‘Tam’ Bennett, he formed the researchED clan and led the VAKobite Rebellion against the neuromyths laying claim to the throne of pedagogy; he ultimately overthrew the House of Brain-Gym and restored evidence to its rightful place.

Bloom’s taxonomy

/bluːmz takˈsɒnəmi/

noun

a hierarchical model of classification which organises learning into six levels of complexity: remember, understand, apply, analyse, evaluate, create; once you have overcome all of these levels, you must ultimately defeat the end-of-level boss: obfuscate.

Blue’s taxonomy

/bluːz takˈsɒnəmi/

noun

a hierarchical model of classification which organises items on a scale of least irritating to most irritating, based on the members of the boy band Blue: Simon Webbe (least irritating), Duncan James, Antony Costa, Lee Ryan (most irritating); e.g., “The consultant delivering that CPD was absolutely Lee Ryan.”

caffeine

/ˈkafiːn/

noun

life-force of teachers; they can cut our budgets, they can freeze our pay, but if they come for our coffee and tea, they’ll have to prise it from our cold, dead hands.

Christodoulou, Daisy

/krɪˈstɒduːluː, ˈdeɪzi/

noun

the only prominent educationalist who is most commonly referred to by their first name alone.

fair funding formula

/fɛː ˈfʌndɪŋ ˈfɔːmjʊlə/

noun

unfair funding formula.

grade descriptors

/ɡreɪd dɪˈskrɪptəz/

noun

occult apparatus used for supernatural divination; a form of cleromancy in which prophets will look over a document and then interpret it using the grade descriptors to guide them to a grade, which will then be challenged by another prophet who used the same descriptors to come up with an entirely different grade; a process of debate will follow until the prophets can agree on an interpretation of the descriptors that angers the spirits the least.

Hirsch, E.D.

/hɛːʃ, ˈiː ˈd/

noun

educationalist and academic; be honest, you think his name is Ed, don’t you? I mean, maybe not consciously, but subconsciously, you sort of think of him as Ed Hirsch, don’t you? Yeh, you do.

interactive whiteboard (IWB)

/ɪntərˈaktɪv ˈwʌɪtbɔːd/

noun

a large interactive

display that,

when written on with an

interactive whiteboard pen,

displays the writing wherever the                                               hell

it

wants.

Even after calib

ration.

Mantle of the Expert

/ˈmant(ə)l ɒv ðə ˈɛkspəːt/

noun

educational approach in which novices spend their time pretending to be experts so that they can remain novices for longer.

Slough of Despond

/ˈsl əv dˈspɒnd/

noun

the filthiest, most festering, fungus-ridden mug in the staffroom, as mentioned in John Bunyan’s The Pilgrim’s Progress: “This miry Slough is such a place as cannot be mended; it is the descent whither the scum and filth […] doth continually run, and therefore is it called the Slough of Despond.”; it is traditionally discarded in the waste bin at the end of every term, only to magically return in another form within a few weeks of the following term.

snow

/snəʊ/

noun

the gift given to tired teachers from the benevolent gods every few years as a reward for their hard work in educating the children (cf. wind, which is a punishment handed down to teachers from the vengeful gods for not keeping up with the marking).

Summer Holiday

/ˈsʌmə ˈhɒlɪdeɪ/

noun

1963 British film starring Cliff Richard, in which he plays a character who wanders about feeling utterly purposeless at the start, then writes himself a to do list of household jobs he’s been putting off all year; he goes on to read a couple of books, binge watch some boxsets, fall asleep in the afternoon a bit, and he finally goes into work to put some displays up on the walls; just as the credits roll he suddenly realises that he hasn’t done any of the household jobs on his to do list.

Teach First

/tiːtʃ fəːst/

noun

charity which focuses on giving bankers hearts.

wind

/wɪnd/

noun

powerful chemical catalyst; just one part wind mixed with 100+ parts children will cause uncontrollable agitation and ebullition of said children.

wine

/wʌɪn/

noun

a form of neuralyzer (the memory-wiping device made famous by the Men in Black film franchise); it is used by teachers on themselves each night in order to forget the ignominy and upset of being told to “!@$# off” or that “your lessons are boring”; sometimes these things are even said to them by pupils.

A Glossary of U.K. Education (Vol. 2)

Volume One of our handy glossary of commonly-used terms in U.K. education was such a success that our publishers have rushed out the second volume. We hope that you find this a useful tool in navigating the debates and discussion around education, both online and in real world situations.

assembly

/əˈsɛmbli/

noun

the action of gathering a group of children together in order to watch a short video of an athlete doing something inspiring to uplifting music.

Bjork, Robert A.

/bjɔːk/, ˈrɒbət ˈ/ 

noun

cognitive psychologist, famous for his work on learning, memory and forgetting, and for his hit single “It’s Oh So Quiet”, which spent 15 weeks in the U.K. singles chart in 1995; he was hoping you’d forgotten about that.

cake

/keɪk/ 

noun

main fuel source of teachers during the latter weeks of a term; as a child, cake is something that someone buys you on your birthday; as a teacher, cake is something that you have to buy for everyone in your department on your own birthday; how did that happen?

Chartered College of Teaching

/ˈtʃɑːtəd ˈkɒlɪdʒ ɒv ˈtiːtʃɪŋ/

noun

see General Teaching Council for England (GTC).

Dead Poet’s Society

/dɛd ˈpəʊɪtz səˈsʌɪɪti/

noun

elaborate teacher recruitment video from the late 1980s; data shows that the two-thirds of teachers who remain in the profession after five years only stay on in the hope that their pupils will one day stand on their desks and declare “O Captain! My Captain!” at them.

detention

/dɪˈtɛnʃ(ə)n/

noun

punishment given out to teachers whereby they have to give up their break time, lunchtime or after school to spend time with someone who has previously been rude to them or otherwise ignored their instructions.

enquiry learning

/ɪnˈkwʌɪri ˈləːnɪŋ/ 

noun

for a clear understanding of the way that enquiry learning works, see entry for inquiry learning.

GCSE results day

/ˈˈsˈɛsˈiː rɪˈzʌltz deɪ

noun

the second most exciting day in the school calendar, after stationery order delivery day.

growth mindset

/ɡrəʊθ ˈmʌɪn(d)sɛt/ 

noun

a powerful incantation used as a magic word; legend has it that, if SLT and the board of governors hold hands in a circle with their eyes closed and chant the words ‘growth mindset’ three times, when they open their eyes the DfE will have made further cuts to their school budget.

inquiry learning

/ɪnˈkwʌɪri ˈləːnɪŋ/ 

noun

for a clear understanding of the way that inquiry learning works, see entry for enquiry learning.

lunchtime duty

/ˈlʌn(t)ʃtʌɪm ˈdjuːti/

noun

(Oops, sorry, I totally forgot to do this one – Ed.)

mastery

/ˈmɑːst(ə)ri/ 

noun

a Rorschach inkblot, often associated with a curriculum, which can be interpreted to mean absolutely anything a person sees in it when they look at it.

mindset

/ˈmʌɪn(d)sɛt/ 

noun

the mental attitude or disposition that predetermines a person’s responses to and interpretations of a situation; according to psychologists, there are three types: fixed and growth (Dweck), and dirty (Freud).

red pen

/rɛd pɛn/

noun

principle weapon of torture, used by teachers who don’t take children’s feelings into account (cf. the marking pen chart below, showing the range colours preferable to use when marking); red pen is also famously mentioned in the old adage of teacher lore that goes, “Red pen at night: normal. Red pen in the morning: I fell asleep doing my marking last night.”

Spectrum of colours preferable to use when marking children’s work, in order to not cause unnecessary anxiety. ‘Sensitive White’ is a popular choice.

retention deficit disorder (RDD)

/rɪˈtɛnʃ(ə)n/

noun

an employment disorder that can be found in the U.K. education sector; it is characterised by a person openly lamenting teacher turnover whilst they are simultaneously creating the conditions that cause teachers to leave their jobs, e.g., “Justine Greening spoke earnestly about the ‘challenges on recruitment and retention, but also on workload’, just before she announced a funding formula that will see 98% of state schools’ funding cut.”

self-assessment

/sɛlf əˈsɛsmənt/

noun

process in which children show that they have had enough of the topic being studied; this is sometimes done by the pupil displaying an emoticon of a smiley face, or through the use of traffic light colours, but is more commonly achieved by the children putting their thumbs up, as pioneered by Scottish pupil James Krankie in the late 1970s (see image below); however, it should be noted that Krankie is still at school some 40 years later, which may be an indication that this method is a flawed way of gauging a pupil’s learning.

James Krankie, eternal schoolboy and pioneer of the thumbs up method of self-assessment

 

 

 

A Glossary of U.K. Education (Vol. 1)

Debates around education on social media can sometimes be hard to follow if you aren’t well versed in the jargon of education in the U.K. With that in mind, we’ve produced this handy glossary of commonly-used terms.

academisation

/əˈkadəmʌɪˈzeɪʃ(ə)n/

noun

1. the process in which a school undertakes a Faustian pact resulting in the handing over of its pupil data to Amazon, the selling of the school fields to Starbucks, and eternal damnation for all staff in exchange for better SATs/GCSE results.

or

2. the process in which a school merely alters a word on their signage and stationery.

children

/ˈtʃɪldrən/

noun

small human beings cared about by progressives and hated by traditionalists.

free school

/friː ˌskuːl/

noun

evil, bloodsucking entity, set up to appease the greed of its vengeful ruler by educating the children of the local community.

Gove, Michael

/ɡəʊv ˌˈmkəl/

noun

pantomime villain, originally from Old English folklore where he is often depicted as having the body of a Tory MP and the head of an agitated baby; in many stories in which he features, Gove is vilified by the adults of the village for trying to give their children more knowledge.

Grüppwerk

/ɡruːpˈvəːk/

noun

Kraftwerk tribute band marked by their performance style in which one of the members arranges all of the songs, plays all of the instruments and prepares all of the lighting, sound and stagecraft, whilst the rest of the band take the opportunity to muck about and do nothing.

learning styles

/ˈləːnɪŋ ˌstʌɪlz/

noun

antimicrobial resistent organism that continues to thrive despite numerous attempts to medicate against it.

literacy

/ˈlɪt(ə)rəsi/

noun

word used as part of a compound noun to give an air of legitimacy to an otherwise woolly term, e.g., digital literacyvisual literacyliteracy literacy.

neo-

/niːə(ʊ)/

prefix

versatile combining form that can be adjoined to the beginning of any noun in order to make that thing sound more sinister than it actually is.

neo-trad

/niːə(ʊ)ˈtrad/

prefix

traditionalist, only more sinister. Synonyms: right-wingTory, Nazi, Sith Lord, Agent of Hydra.

Ofsted

/ɒfstɛd/

noun

capricious inspectorate, prone to systematically dishing out unfair judgements. Unless that judgement is ‘Good’ or ‘Outstanding’, in which case it is entirely accurate and should be emblazoned across letterheads and banners. 

pedagogy

/ˈpɛdəɡɒdʒi/

noun

from the Greek παιδός, (paidos), “teachy”, and ἄγω (ágō), “teaching”: literally, “teachy teaching”.

progressive

/prəˈɡrɛsɪv/

noun

1. a teacher committed to the values of progressivism.

or

2. a teacher just out of initial teacher training.

Robinson, Sir Ken

/ˈrɒbɪns(ə)n ˌˈsəː ˈkɛn/

noun

chivalrous knight of YouTubian legend; the folk tales tell of how Sir Ken is bestowed with a golden tongue by TED the Enchanter, and of how he uses this tongue to defeat the Great Sages of Rote Wisdom by invoking the Spirits of Dance.

rote learning

/rəʊt ˌˈləːnɪŋ/

noun

1. that which Sir Ken Robinson opposes, instead suggesting more dance in the curriculum.

2. the most common and effective way to learn how to dance.

Shift Happens

/ʃɪft ˈhap(ə)nz/

noun

bullshit.

traditionalism

/trəˈdɪʃ(ə)nəlɪz(ə)m/

noun

a diabolical cult dedicated the denigration of fun, posters, role play and group work; based on ideology (cf. progressivism, which is ideology-free and entirely based on pragmatism and principles); followers of traditionalism dislike children and can be mostly found in schools.

troll

/trɒl,trəʊl/

verb

to disagree with a view on education that one holds; this is a transitive verb which can only be done unto the first person me and not unto second or third person pronouns such as him, her or you – “he trolled me” is correct usage, whereas “I trolled her/you” is incorrect.

noun

someone who disagrees with your view on education.

 

 

5 useful online resources for English teachers

There are a number of resources I return to again and again online, in order to either find useful texts for pupils to read, or to deepen my contextual knowledge of texts. Here are five sites I think are really helpful.

JSTOR Understanding Shakespeare 

This is a brilliant resource that connects digital texts from the Folger Shakespeare Library with articles on the JSTOR digital library. As the strapline tells us: “Pick a play. Click a line. Instantly see articles on JSTOR that reference the line.” 

Below is a screenshot that shows you how it works. I’ve chosen the line “‘Tis an unweeded garden / That grows to seed.” from Hamlet’s first soliloquy (Act 1, Scene 2). You can see that there are 53 references to this line in JSTOR. It lists them on the right of the screen, and by hovering over each one, you can see the page of the article on which it is referenced.
In the referenced page on the example above, you can see how the line can be seen as part of a tradition of similar references to husbandry as a metaphor for kingliness and national security across a number of Shakespeare’s plays. Illuminating, right?

The British Library Articles 

I love these. Here you can browse some really interesting articles on Shakespeare and the Renaissance, Romantics and Victorians, and Twentieth Century literature. All of the articles are linked to items in the British Library’s collection (mainly original manuscripts), with embedded slideshows throughout the articles exploring these items. There’s some really useful contextual stuff here.

CommonLit

This is an American website containing “a free collection of fiction and nonfiction for 5th-12th grade classrooms”. It is a wonderful digital resource.

You can search texts based on the grade they are aimed at (just add 1 to get the UK equivalent age: 6th grade is the same as Year 7 in the UK), or by the text’s Lexile range. Or – and this is where it is really useful – you can search it based on theme, genre (looking for speeches or short stories?), or by a short list of books that the texts link to (for example, searching for texts linked to Animal Farm returns some nonfiction articles on Stalin and the Russian Revolution, among other things). You can also search for texts based on linguistic and rhetorical devices, so if you are looking for examples of hyperbole or dramatic irony, the search will return texts that contain these.

What’s more, each text comes with a series of questions to help comprehension. And you can download each text as a PDF (which includes these questions).

BBC History – British History

With some articles, some iWonder pages and some BBC archive videos, this is a really useful source of contextual information for literature texts. With pages on the Tudors, the Victorians and some key moments of the Jacobean period (to name but a few useful touchstones for English teachers), there are some great resources here.

English Heritage – Story of England

In a similar style to the BBC History site, English Heritage’s simple timelines and overviews of the key periods in English history are a valuable resource. Not only is this organised by period, you can also explore it by themes such as Power & Politics, Religion, Daily Life, and Arts & Invention. Have a look and see what you think.

Teachers: @TesResources has a problem and they want you to work harder to deal with it

TES Resources has a problem. Its resource sharing platform is riddled with copyright infringements. What are they going to do about it? Well, they are going to ask you to add to the already burgeoning workload of hardworking teachers and get you to police it. As if you don’t already have enough to do.

TES Resources is a great platform. It allows teachers to share resources freely with hundreds of colleagues up and down the country. It truly exemplifies the collegial spirit of teaching. Well, it did.

It did until July 2014, when they announced that teachers would be able to start selling the resources they were already sharing for free. They sold this move as ‘teacher empowerment’. Weirdly, this announcement didn’t mention the cut that they were taking from these transactions.

Now, I have been very outspoken about the selling of resources on social media in recent times, but this post isn’t about my moral objections to teachers selling resources to one another.

This week, it was brought to my attention that a resource that I shared freely on this blog had actually been copied and was being sold on TES Resources for £3 a pop. It had been on the website for nearly 2 years and had received a number of downloads.

I should point out that the aim of this post isn’t to vilify the individuals concerned in this practice. Not because the practice isn’t reprehensible, but rather that, in the spirit of charity, I am happy to concede that some people may do this in complete ignorance that they have taken this idea from someone or that there is a victim of their actions. People make mistakes, and if they show contrition for those mistakes, I’m happy to move on.

In the case of my resource, TES were straight on the case once I’d brought it to their attention and are investigating as we speak. In the first instance they have taken down the resource. I wait with interest to see if there is any attempt to remunerate the injured party. After all, someone has made money from something I chose to give freely. (Should such remuneration arrive, I have earmarked my local paediatric oncology ward to receive the funds – it is a charity that is very close to my tutor group and me, for reasons which I shan’t go into here.)

However, like the mythological hydra, as soon as TES had sliced off this head, another one grew back in its place. It was brought to my attention the next evening that another of my resources that I’ve shared freely was on sale for £4 on the site.

And I am not the only one, large numbers of people have offered me evidence that the TES platform is riddled with people selling others’ resources.

Here are a few examples that came shortly after I made a request on Twitter last night. Important to note that these are just the ones who were up, saw my tweet and responded. I’m sure this is just the tip of the iceberg:

https://twitter.com/Ms_Kmp/status/871121204333228032

https://twitter.com/MrsSunder/status/871004104121831424

Not only that, as the last tweet suggests, this practice is driving people away from using the platform to share resources freely:

https://twitter.com/chrisscrivens1/status/870975051914510336

https://twitter.com/JennyCameron/status/870966853979561985

This might suggest that more sold resources on TES = fewer free ones.

And there are plenty more responses where all these came from. I’m sure you get the picture.

So what are TES Resources going to do about it. Actually, it’s more what they expect you to do about it. They want you – hardworking teachers, already overburdened with a burgeoning workload – they want you to police the site for them.

That’s right. Rather than come up with a way to police this themselves, they are asking us to identify stolen content. Imagine if the police said they wouldn’t deal with antisocial behaviour in your neighbourhood unless you went out and brought the assailants into the police station yourself?

Quite how they want busy teachers to do this is beyond me. Do they want us to do a regular search weekly? Monthly? And what should we search for? I produce lots of resources every month – are we supposed to search for everything we’ve ever produced and shared? Do they not get that we are very busy? Have they not read the pages of their own publication, drowning in articles on workload? Why do they think people use the site for resources in the first place? To save time. Now they want to us to use that time to work for them in managing their site, for free.

Nope. This is on you, TES. You can’t pass this off onto already overworked teachers.

Was this a problem before TES introduced selling? Well, yes, I’m sure people uploaded resources that weren’t their own. But the difference is they weren’t profiting. I share my resources freely, so someone else uploading it means that it will still be shared freely. Okay, so the lack of credit may irk, but that can be easily addressed.

What would I do if I were the TES? I’d embrace the collegial nature of the profession and of sharing freely and leave the cynical hawking of resources to other sites. But whatever they do, the responsibility is theirs to kill off this heinous practice on their site. Over to you, TES.

You aren’t a brand; you’re a teacher

“The best way to build a brand is to take a three-foot length of malleable iron and get one end red-hot. Then, apply it vigorously to the buttocks of the instructor who gave you this question. You want a nice, meaty sizzle.”

This was veteran Washington Post columnist Gene Weingarten’s public response to the question, “How have you built your personal brand over the years?”, as asked by a journalism graduate from Northwestern University.

It is similar to how I feel when I hear people talk about teachers as brands. Only yesterday, I witnessed advice from a high profile headteacher for teachers and leaders to “work on your personal brand” if you want to get ahead. The insistence that we must think about our brand rather than say, what we are teaching (or what we are leading on), is not just a distraction: it’s irresponsible.

It’s easy to read the rest of Weingarten’s response to the student and imagine he’s talking about education. I’ve replaced the words ‘journalism’ and ‘writing’ with [teaching] here:

“You used the expression ‘built your personal brand.’

I want us to let that expression marinate in its own foulness for a moment, like a turd in a puddle of pee, as we contemplate its meaning and the devastating weight of its implications. This is a term born of the new approach to [teaching], a soulless, marketing approach that goes hand in hand with the modern tendency to denigrate [teaching] by calling it “content,” as though everything is mere filler — fluff and stuffing in the decorative throw pillows of what passes for news. It is symptomatic of a general degradation of [teaching] that rewards ubiquity, not talent…”

I am certain that people who are able to make careers out of teaching do so because of the talent they have. Why take a “soulless, marketing” approach to that career by focusing on themselves as a brand?

Weingarten says that the commodification of journalists as brands means that writers “used to give readers what we thought they needed. Now, in desperation, we give readers what we think they want.”

Is this the implication of teachers and leaders becoming brands? Does it imply no longer giving pupils (and other teachers) what we think they need and instead giving them what we think they want?

The problem with foregrounding branding is that it backgrounds the important things about teaching and leading. The things that actually count. Continuing on the subject of writing, Weingarten continues:

“Branding – the whole notion gets it backwards, as though the purpose of writing is self-aggrandizement and self-promotion. That’s what riles me about that whole idea. We want to tell truth, because we want to entertain, because we want to disclose things that need to be disclosed, because we want to hold government to a high standard, all of those reasons are good. Somewhere around reason 6,407 is where brand promotion should be.”

I feel exactly the same about teaching: we want to teach because we want to make kids cleverer, because we want them to go out and connect with and understand the world, because we want them to take part in life and join the “conversation of mankind“, because we want them to create the future. All of those reasons are good. And, likewise, somewhere around reason 6,407 is where brand promotion should be for teachers.

Put simply:

“Note the order. First came the work.

Now, the first goal seems to be self-promotion — the fame part, the ‘brand.'”

Teachers and leaders should concentrate on their craft, on what they are achieving, rather than answering the questions “how do people see you?” and “how do you want to be seen?” – questions which came from the advice mentioned at the beginning of this blog. Answering those questions and concentrating on ‘your brand’ will most likely lead to superficiality and, in turn, most likely more work for the teachers around you. So listen to Weingarten. Don’t let teaching go this way too:

“We are slowly redefining our craft so it is no longer a calling but a commodity. From this execrable marketing trend arises the term: ‘branding.'”